Twitter reviews for ‘Love Sex Aur Dhokha 2’ (LSD 2) have surfaced, revealing a mixed bag of opinions on the much-anticipated film directed by Dibakar Banerjee and produced by Ekta Kapoor. While some viewers appreciate its unique narrative style, others express disappointment with its execution.
Released 14 years after its predecessor ‘Love Sex Dhokha’ (LSD), LSD 2 delves into three distinct stories set in the digital era, exploring themes of love, betrayal, and the consequences of online interactions. The ensemble cast includes Paritosh Tiwari, Bonita Rajpurohit, Abhinav Singh, Swastika Mukherjee, Mouni Roy, and Uorfi Javed.
Despite Dibakar Banerjee’s reputation for unconventional storytelling, some Twitter users are critical of LSD 2’s storyline and characterization. One user commented that the film’s narrative lacks novelty and fails to resonate with a particular community. Another tweet highlighted the absence of engaging elements like music, expressing disappointment with the overall experience.
Addressing Dibakar Banerjee directly, a Twitter user noted the challenges posed by the pervasive influence of social media, implying that external factors may impact the film’s reception. Questions were raised about the director’s interpretation of love, sex, and betrayal in the digital age, with some suggesting that the film’s message may not have landed effectively.
On a more positive note, some reviewers acknowledged the film’s intriguing premise, acknowledging that the concept might have seemed promising on paper. However, they felt that the execution on screen fell short of creating the desired impact.
‘LSD 2’ features three interconnected stories, each offering a unique perspective on contemporary internet culture. From a transitioning female character to a vlogger navigating societal expectations and a gamer seeking online validation, the film explores diverse narratives within the digital realm.
As audience reactions continue to pour in, ‘Love Sex Aur Dhokha 2’ sparks discussions about the evolution of storytelling in the digital age and the challenges of engaging viewers in an era dominated by social media and virtual interactions.
Sources By Agencies
