“Game Changer Review: Ram Charan and Shankar Deliver a Grand Take on Electoral Politics”

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Game Changer Review: Ram Charan and Shankar Team Up for a Costly Yet Predictable Political Drama

Director Shankar’s Telugu debut, Game Changer, starring Ram Charan, Kiara Advani, Anjali, and SJ Suryah, delivers a grand cinematic spectacle but falls short of innovation. Touted as a masterclass on electoral politics, the film sticks to Shankar’s familiar storytelling formula, offering entertainment but lacking emotional depth.

The Plot

The story revolves around Ram Nandan (played by Ram Charan), an IAS officer with anger issues and an unyielding sense of integrity. Determined to root out corruption in Vizag, Ram’s path crosses with Mopidevi (SJ Suryah), a power-hungry politician and the son of Andhra Pradesh Chief Minister Satyamurthy (Srikanth). What ensues is a battle of ideologies as Ram confronts Mopidevi’s ruthless pursuit of power.

Performance and Highlights

While the film’s larger-than-life sequences and slick visuals are quintessential Shankar trademarks, the standout moments come from a subplot involving Ram Charan’s portrayal of Appanna, an activist, and his wife, Parvathy (played by Anjali). This portion, with its emotional depth and compelling performances, briefly lifts the film to greater heights.

Anjali and Ram Charan shine in these sequences, supported by Tirru’s warm cinematography and Thaman’s evocative background score. The focus on activism and the struggles of the downtrodden contrasts with the otherwise glossy narrative, making this segment a highlight.

Familiar Shankar Formula

Shankar’s penchant for grandeur is evident in the lavishly shot songs and high-octane sequences. However, the narrative often feels rushed, failing to build a strong foundation for key moments. The love story between Ram and Deepika (Kiara Advani) adds little to the overall plot, and the antagonist Mopidevi comes across as one-dimensional.

The film’s pacing keeps it engaging but leaves little room for reflection or character development. Familiar references to Shankar’s earlier works, such as Mudhalvan (Oke Okkadu) and Muqabla, underscore a lack of fresh storytelling.

Conclusion

Game Changer succeeds in addressing corruption in Indian politics, but its predictable narrative and reliance on nostalgia prevent it from achieving greatness. While entertaining, the film struggles to evoke the magic of Shankar’s earlier classics from the 1990s and 2000s.

For fans of Ram Charan and Shankar’s style, Game Changer offers moments of brilliance but ultimately feels like a missed opportunity to deliver something truly groundbreaking.

Sources By Agencies

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