The much-anticipated drama Visfot, directed by Kookie Gulati and starring Riteish Deshmukh and Fardeen Khan, fails to ignite the screen despite a promising cast. The film, a remake of the 2012 Venezuelan film Rock! Paper! Scissors!, unfolds a tale set in Mumbai’s slums, blending familiar elements of crime, betrayal, and love. Unfortunately, it delivers little more than a rehashed narrative with predictable outcomes.
Plot Summary: Visfot explores the intertwined lives of two men—Shoaib Khan (Fardeen Khan) and Akash Shelar (Riteish Deshmukh)—whose personal crises lead them to cross paths. Shoaib, eager to leave his troubled past behind, is unwittingly drawn into a mess involving illegal substances. Meanwhile, Akash grapples with his wife’s infidelity and the mysterious disappearance of his son. Their stories converge in a predictable and unremarkable manner.
Review: From the outset, Visfot reveals its lack of originality. The film follows a tired formula seen in numerous Sanjay Gupta productions, complete with corrupt cops, gangsters, and clichéd romantic subplots. The narrative progression is easily anticipated, and any potential for unexpected twists falls flat.
The film’s script, penned by Hussain Dalal and Abbas Dalal, lacks depth and fails to elevate the material. The dialogue, heavy-handed and melodramatic, does little to engage the audience. Emotional scenes, intended to evoke empathy, come across as forced and formulaic.
Despite the lackluster script, the casting is one of the film’s few redeeming qualities. Seema Biswas, cast as a formidable ganglord, brings a compelling presence to her role, standing out amidst the otherwise uninspired performances. Her portrayal is one of the film’s highlights, creating a contrast to the otherwise mundane storytelling.
Riteish Deshmukh, typically a reliable actor, is unfortunately relegated to a role that does not showcase his talents effectively. Similarly, Fardeen Khan’s much-anticipated comeback is marred by a script that fails to provide him with a meaningful or impactful character. While his performance is adequate, it does not make a significant impression.
In conclusion, Visfot is a missed opportunity. The film’s reliance on clichéd tropes and lack of inventive storytelling result in a viewing experience that is both forgettable and disappointing. For those expecting a gripping drama, this film may fall short of expectations, proving that a strong cast alone cannot compensate for a weak script.
Sources By Agencies
