Vicky Vidya Ka Woh Wala Video (VVKWWV), directed by Raaj Shaandilya, is a comedy that starts off strong but quickly spirals into chaos. The film features Rajkummar Rao as Vicky, a witty mehendi artist, and Triptii Dimri as Vidya, an MBBS graduate. Set in Rishikesh in 1997, the plot takes a wild turn when the couple’s honeymoon plans are derailed by a robbery, leading to the disappearance of a private tape. Despite its promising start, the film’s second half struggles with a convoluted script, leaving viewers disappointed.
Strong Start with Plenty of Laughs
The film opens on a high note, delivering a fun-filled first hour where nearly every joke lands. The humor evokes memories of Stree, another Rajkummar Rao-starrer, and promises to be a riot. However, the script quickly unravels, moving away from its heartwarming and entertaining premise. While the first hour is sharp and engaging, the second half introduces needless sub-plots that derail the momentum.
Plot Overview
The story follows Vicky and Vidya, who ditch a family trip to Vaishno Devi for a honeymoon in Goa. Inspired by an article, Vicky convinces Vidya to film their intimate moments, but their lives take a turn when their house is robbed, and the tape is stolen along with their TV. The film’s humor centers around the search for this tape, interwoven with sub-plots involving Vicky’s sister Chanda (Mallika Sherawat) and the investigating officer (Vijay Raaz). As the plot becomes increasingly cluttered, audiences are left wanting the ordeal to end.
What Works
The film’s first half offers a great balance of humor and narrative. The punchlines land effectively, keeping viewers entertained. Rajkummar Rao, known for his impeccable comic timing, is at his best in the initial parts, delivering laughs effortlessly. Vijay Raaz and Mallika Sherawat’s characters add some comic relief, but their roles ultimately fall short of expectations.
What Doesn’t Work
The film’s second half, unfortunately, is where things fall apart. The screenplay loses focus, adding unnecessary elements like a politician’s sex tape racket, a family heirloom sword, and a nosy photographer, none of which contribute meaningfully to the main storyline. These distractions dilute the film’s essence, making it a tedious watch.
The film also makes an odd choice by introducing a supernatural sequence featuring Stree, the ghost from the Stree franchise. The sequence feels out of place and contributes little to the story, leaving viewers confused. The poor VFX and mishandling of the supernatural plotline are further evidence of the film’s mismanagement.
Performances
Rajkummar Rao delivers a commendable performance, but even his talent can’t salvage the film’s weak second half. While he shines in the first half, his character becomes irritating as the film progresses. Triptii Dimri as Vidya offers a decent performance but fades into the background as the film delves into needless side stories. Mallika Sherawat is wasted in her role, while Ashwini Kalsekar’s character adds no value to the narrative. Tiku Talsania and Archana Puran Singh, despite their potential, are underutilized.
Vijay Raaz attempts to carry the film through its shaky second half but is weighed down by a lackluster script.
Music and Direction
The music by Sachin Jigar, including Daler Mehndi’s Na Na Na Na Na Re, fits within the context of the film but fails to leave a lasting impact. Director Raaj Shaandilya, who co-wrote the film with Yusuf Ali Khan, seems to have lost control after the promising first hour, leading to a disjointed and frustrating narrative.
Final Verdict
Vicky Vidya Ka Woh Wala Video starts off as a fun and entertaining film, but its weak second half and cluttered script make it a tiresome watch. Rajkummar Rao’s excellent performance is one of the few redeeming factors, but even he can’t save the film from its downfall. What could have been a great comedy is ultimately bogged down by unnecessary sub-plots, poor writing, and a confused identity.
Sources By Agencies
